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Agree with your assesment, I was pleasantly surprised by how much I enjoyed the closing sequence of Light> Numberline> Suzy, though Light was short it did resolve naturally and as you pointed out, the laid-back, contemplative approach brought a different feel to Numberline. I expected to hear the end of the set as rushed when I looked at the tracklisting and times, but it worked very well. Nicely constructed set, and WOTC is very welcome indeed.
Not much to add about the Sand, I've gone a little overboard already, but I do think it's a cut above all the other outstanding Sands we've gotten over the last several months. Top shelf.